TV might be the most fluid of all entertainment forms -- movies are pretty immediate, with only a rare few that get better with each viewing; albums may grow on you over time, but the songs on them remain the same. TV switches gears from season to season, and even episode. Some shows got better this year (Big Love, Lost); some got worse (Friday Night Lights, Heroes); some shows that looked iffy to me at first now have my attention (The Big Bang Theory, Aliens in America); some that I thought would be addictive turned out to be disappointments (Cane, Bionic Woman).
My 2007 Top 10 that appears in the print edition today is largely made up of shows that have hooked me from the beginning and kept me hooked (the one exception is Pushing Daisies, which really had to break down my resistance). (UPDATE: In one of my more embarrasing goofs in recent memory, I included The Wire in the list. It's a great show -- it just didn't happen to air a new episode in 2007. I've promoted The Closer to the Top 10, whenever that gets adjusted online.) The honorable mentions below are shows that I like, but have more trouble embracing In order of preference
11. Dexter, Showtime: I'm not on board with the whole Showtime Is Now Better Than HBO thing yet -- too many of Showtime's series have flaws that outweigh their virtues. This is the one I like the best, but it's because of Michael C. Hall's tightly wound performance as a nice-guy serial killer and because of the paperback-novelesque plotting. Keith Carradine was a good guest star this season. Now if they'd only come up with a supporting character I cared about.
12. The War, PBS: Ken Burns adheres so strictly to a formula -- somber narration, talking heads, film clips and still pictures -- that his mega-documentaries can become a little monotonous, and it was sometimes a challenge to sit through all 14 hours or so of his World War II epic. Yet only by sitting through all of it can you get the full emotional effect of the final episode, with the horrifying events that led up to the end of the war, and the fallout for the people who fought it.
13. Aliens in America, CW: I almost put this little CW sitcom in the Top 10, but I couldn't get past the self-consciousness of putting it there just because it's a little CW sitcom. I still have reservations about its central premise -- i.e., it often treats Midwestern Americans as dolts who can only learn from a Pakistani Muslim exchange student -- but when it gets into the high-school world of put-upon teen Justin Tolchuk (the wonderful Dan Byrd), it feels painfully funny and accurate.
14. How I Met Your Mother, CBS: The tale of five friends -- two married, two broken up, the other a self-styled and smarmy ladies man -- is inventive and funny, and when it hits bull's eye it finds the middle ground between Friends' sunniness and Seinfeld's cynicism. And yet it's often forced and awkward, and Neil Patrick Harris and Jason Segel's performances overpower the rest of the cast.
Other candidates: Battlestar Galactica, Sci-Fi Channel; Life, NBC; Supernatural, The CW; Top Chef, Bravo; "Supernatural Saturdays" (Hex, Jekyll, etc.), BBC America.
--Robert Philpot